Talented photographer Amr Abdallah at al-Masry al-Yawm has kindly shared his photos of citizens' daily struggle for water, here in Giza. I'm in no mood for comment. What's there to say? Who isn't outraged by this suffering and deprivation, and who isn't enraged by the responses of Gamal Mubarak's ministers and his father's governors?
Commentary on Egyptian Politics and Culture by an Egyptian Citizen with a Room of Her Own

Saturday, July 28, 2007
To Drink, Perchance to Live
Talented photographer Amr Abdallah at al-Masry al-Yawm has kindly shared his photos of citizens' daily struggle for water, here in Giza. I'm in no mood for comment. What's there to say? Who isn't outraged by this suffering and deprivation, and who isn't enraged by the responses of Gamal Mubarak's ministers and his father's governors?
Friday, July 20, 2007
The Civil Disobedience Project

That’s the initiative adopted by Kifaya and a half dozen other groups to inaugurate a long term, incremental, and very patient civil disobedience campaign to signal public disgust with Hosni Mubarak, his son, their government, and its policies. The idea is not to stage a symbolic, one-time performance but to begin working seriously and creatively to transform widespread disaffection with the Mubarak regime into concrete, coordinated, relatively risk-free acts that strip the regime of any residual vestiges of legitimacy.
The notion of organising a national civil disobedience campaign has been percolating for some years now, pre-dating the current spectacular wave of protests. In fall 2004, it gained the valuable intellectual and moral imprimatur of retired judge and historian Tariq al-Bishri, who wrote a lucid defence of non-violent resistance as the only feasible and effective method of engaging the increasingly violent and personalised rule of Hosni Mubarak. Reading it again, I’m struck by how much has changed since al-Bishri penned his words. The fragmentation and dearth of collective action that he lamented three years ago are unrecognisable today, replaced by incessant societal movement, to wit: the electoral mobilisation of 2005, the pro-judges’ protests of 2006, the innovative campus organising of 2005 and 2006, the workers’ uprising of 2006-07, and the more recent spate of ordinary people’s street action.
By civil disobedience, al-Bishri meant precisely the kind of street-based collective demand-making and reclaiming of rights that is now sweeping the country, spearheaded by labour unions, craft guilds, professional associations, student unions, and ordinary people. Kifaya et al’s recent initiative goes well beyond this mode. It ventures into the most challenging, the most difficult terrain: seeking to activate societal sectors unused to expressing opposition of any kind, whether street protest or dissent in salons and political parties or writing letters to newspapers or joining a block association or any of the myriad other ways that politically aware citizens air their views.
The stay at home initiative targets those who cringe from making any sort of visible statement about public affairs but are by no means indifferent about current events. It seeks to tap into the intense and ambient sense of anger at the authorities that has settled over the entire country like a thick, low-hanging cloud, the subject of every household conversation and office chatter. It attempts to normalise dissent by weaving into the rhythm of everyday life, whittling it down to a simple, doable, and above-all risk-free act of staying at home (what we all love to do anyway) and hanging the flag from a window or balcony, an eminently respectable and patriotic gesture tweaked just enough to make a bold but non-threatening statement.
It’s no surprise that the idea has generated heated, entertaining discussion on the Internet, independent and opposition newspapers, and satellite television programs. Reactions run the gamut from enthusiastic support to puzzlement to derision. Some laud the novelty and the brilliant simplicity of the idea, for how can State Security punish people for staying at home and raising the flag?! Others don’t see how staying at home constitutes any kind of proactive gesture, for isn’t it the height of passivity and indifference? And don’t people stay at home anyway on a national holiday? Still others are attacking the whole idea as silly and contrived. As for the rulers, I can only imagine how worried they must be right now. Anything that smacks of coordination and aims to enlist the latent energies of millions of citizens is a nightmare for them, especially right now when so much discontent is enveloping the country. So they’ve already mobilised their mouthpieces in the media to belittle and ridicule the initiative.
Personally, I think it’s a brilliant idea and a fascinating experiment. Not only is it simple and logical (a must for any kind of novel political act), culturally resonant, and accessible to all classes of the population, but it holds the potential to be extremely threatening to the authorities. True, the rulers and their agents would like nothing more than atomised families staying in their homes watching television instead of demonstrating in the streets or occupying public space. But if the home-staying is calculated and coordinated by independent groups acting together to make one peaceful oppositional statement; if it brings together the intellectual, the homemaker, the worker, and the farmer to take a simple stance against a corrupt, unjust government; if it is difficult to monitor and punish; if it gathers steam and midwifes more such acts; and above all, if it punctures citizens’ rational reluctance to oppose an ugly, repressive regime, then we’re talking about something more threatening than armed insurrections or a thousand street protests.
The organizers of the stay-at-home say that it’s a dry run for more civil disobedience campaigns to come, perhaps similar actions on work days, perhaps a few consecutive days instead of one, maybe other acts entirely. But the basic idea is to minimise the risk while maximising the impact, always making sure that actions ‘fit’ into the rhythms of everyday life and make sense to those who would otherwise shun or fear them. That’s a tall order for any political organiser, more challenging than orchestrating a street protest, factory sit-in, election rally, silent vigil, petition drive, public procession, or any of the dozens of other well-worn tools of political expression.

I don’t know what will happen on Monday, but I can’t wait to see. I’m sure there’ll be lively post-mortems pronouncing the stay-at-home as either a failure or a success, or maybe a non-event. Whatever the outcome, I can’t help but feel that we’re living in momentous times, not because of some purportedly impending regime change, but because we get to watch in real time as a complex society experiments with old-new political forms, grows more assertive and persistent in reclaiming rights, and struggles to craft a more representative and just government. Now some might think this is about as interesting as watching grass grow, but for pedants like me, this slow-motion political transformation is the stuff of riveting drama.
Friday, July 13, 2007
From Remonstrance to Rights
Egypt is so rife with protest these days it’s difficult and crucial to keep track. On any given day, at least one group of citizens takes to the streets to press demands, air grievances, and claim recognition. Sometimes, miraculously, they win. Take the example of the recently concluded strike by al-Azhar schoolteachers to protest their exclusion from the new wage schedule. In a rare display of collective resolve, the teachers refrained from marking thanawiyya exams, refusing to cave in to government threats, empty promises, and protest fatigue. Their brilliantly timed work stoppage in the thick of thanawiyya ‘amma season compelled Hosni Mubarak himself to intervene and decree their inclusion in the new wage structure. But protest by teachers and other professionals is nothing new, going back to 1919 if not earlier. Judges and parliamentary deputies have now also added street action to their tactical repertoire. And protest is the stock-in-trade of students, factory workers, and democracy activists. What’s striking about a recent spate of street action is the leadership of ordinary people.
These reflections are prompted by three recent instances of ordinary people’s collective action. First are the Qal’at al-Kabsh residents (above), whose homes were decimated by a conflagration in March. They immediately marched to the gates of parliament in protest, demanding alternative housing and action from their parliamentary deputy, none other than the venal Mr Fathi Sorour. The spectacle of homeless women and children fearlessly occupying prime pavement reserved for high officialdom was extremely threatening. Riot control were despatched to encircle the citizens and forcibly remove them. Second is the collective action by North Sinai residents against years of government neglect, discrimination, and police brutality. In response to police shootings of two Bedouins in April, Sinai denizens took to the streets in protest, staged a two-day sit-in, drew up a list of demands, and threatened an open-ended sit-in if those demands were not met. Third is the spectacular act of protest by Borg al-Borollos villagers on 3 July, when they blockaded the coastal highway in Kafr al-Shaykh for 12 hours to call national attention to their plight: the chronic lack of potable water for weeks and months on end. Residents are forced to purchase jerry cans of water at the scandalous price of £E40 per week, and the purity of this water is dubious since many cans were previously used to transport petrol.
Street action by groups of ordinary people isn’t new, but it’s far less documented and celebrated than similar action by workers, tradesmen, students, and other organised social sectors. Unlike these groups, ordinary people rarely distribute pamphlets or carry placards that survive as records of their action. Its sporadic character and focus on basic needs (food, water, housing) is often taken to mean that ordinary people’s protest is somehow less significant, less political than ‘real’ protest. By contrast, the press is currently portraying ordinary peoples’ protests as portending an impending national revolt and regime breakdown. Notwithstanding their excellent coverage, al-Masry al-Youm’s editors have inexplicably christened the water protests in Kafr al-Shaykh, Gharbiyya, Daqahliyya, and Giza as the “Revolt of the Thirsty,” implying that widespread popular wrath will inevitably translate into political upheaval and ‘chaos’.
But alternately downplaying and hyping citizen protest is a poor substitute for actually understanding it. There are several remarkable features of recent citizen protest that deserve recognition and more careful attention. First is the fact that there’s protest at all, in more than one locale and concerning more than one issue. What compels ordinary, powerless women and men to take extraordinary risks and confront those who have immeasurably more power and prestige than they? Wrath doesn’t explain it, since that’s ubiquitous and constant. For ordinary people to translate their anger into action is rare and remarkable, not just here but anywhere. It’s even more remarkable given citizens’ experience with the police state’s response to any kind of public assembly.

It doesn’t take a genius to observe that high-ranking government officials are the unmistakeable objects of the recent citizen protests. These afflicted citizens are not beseeching religious figures or other social eminences to intercede on their behalf. They’re not wasting time on municipal government officials, because they know only too well that they’re useless or downright complicit in their plight. And they’re not attributing their problems to general injustice or resigning themselves in the manner of ‘things have always been like this.’ It’s because of the chronic, collective nature of their problems that they’re boldly demanding the involvement of high-ranking government officials. The recent spate of ordinary people’s protest targets specific government officials, includes coherent attributions of blame, advances detailed proposals for solving the problems at issue, and is couched in a clear, crisp language of citizenship rights and entitlements.
I think what we’re seeing is more than simply the extension of the street action repertoire to ordinary citizens who do not belong to nor know much about political parties, trade unions, or pro-democracy groups. We’re observing a structural shift in the way ordinary people deal with public authorities. A quick list: they’re more assertive in making their demands, so that rather than plead and grovel with some petty bureaucrat in a grimy government office, they’re choosing the streets so that the media pays attention and transports their grievances to the whole nation. They’re determined to reach high-ranking officials, so that rather than rely on the petty bureaucrat or even his boss, they’ll deal with no less than a governor or parliament speaker, knowing full well whom they answer to. And they present their demands as a matter of rights that are owed them than privileges that are bestowed on them. As Qal’at al-Kabsh and Kafr al-Shaykh residents have said, “Don’t people like us have the right to be treated as human beings and be compensated, even if it’s only with a one-room apartment?” And: “We are humans who deserve better treatment. We are citizens of this country. We should not be forgotten.”
If it’s true that ordinary people are innovating new ways of dealing with the government, why is this happening? The erosion and near-collapse in the infrastructure of basic services (sewage, potable water, irrigation water) is a key factor, but even more aggravating to citizens is that they’re still required to pay fees for services that they don’t receive. What’s more, the services they’re being deprived of are the very minimum required for human survival. We’re not talking about affordable healthcare, decent schooling, or subsidised alimentary goods, things they’ve long ceased to expect from this government. We’re talking about clean water, for God’s sake! We’re talking about the right not to suffer routine police brutality, as in the case of North Sinai’s residents. We’re talking about the right to have alternative housing when the government decides to “upgrade” the neighbourhood you’ve lived in for 50 years by clearing you out.
Another factor that may be causing ordinary people’s street action is the inefficacy of existing representative structures. Ordinary citizens have a long and bitter experience with unresponsive or corrupt municipal officials, so they’ve realised that they must surpass these ineffectual intermediaries and make a beeline for the national symbols and holders of political power. A third factor may be the changing nature of protest itself. Ordinary people may have noticed that street protest is now a common and well-worn method used to advance all manner of collective interests, whether by poultry farmers or unemployed university graduates or citizens opposed to the construction of mobile phone towers or families of disaster victims or congregants after Friday prayers. They see these groups advertising their grievances and they mimic their tactics.
If ordinary people are more assertively and more directly targeting top government officials, what’s been the latter’s response? Overall, they’ve been unusually amenable. Most Qal’at al-Kabsh families have been allotted housing; those who’ve been excluded are fearlessly and relentlessly claiming their rights. Fearing more instability in Egypt’s least controllable province, State Security caved in to Sinawis’ credible threat of an open-ended sit-in on 1 July and began releasing detainees held without charge in indiscriminate sweeps since 2004. As for the Borg al-Borollos villagers, their extraordinary action and their refusal to be hoodwinked by the usual palliatives meant that water was restored to the village, but it’s unclear for how long. In the meantime, the utterly loathsome Salah Salama has been peddling his line in the media that “the land mafia” incited the protest with the aim of ousting him because he’s apparently been bravely facing down their “corruption.” Salama also asserted that he refused to meet the protestors, “or else their demands would have increased and maybe they would have called for the presence of the Prime Minister or the President.”

Time will tell if this is a brilliant but ephemeral spark, or a new template for political action in Egypt.
*AP Photos
Friday, June 15, 2007
Monday, March 19, 2007
A Parliament to Watch




Obviously we’re still a very long way from a real parliament capable of both checking and bargaining with the executive and forging durable extra-parliamentary coalitions. But I can’t shake off the feeling that what happened Sunday portends something new, perhaps even the spark that may ignite the parliamentarisation of Egyptian politics. The group of 88 are complicating business as usual under the rotunda.
For a few hours on Sunday, the grounds of parliament were overrun by the authentic representatives of the people, not the overfed, under-qualified cronies of the ruling regime.


But then again, public support is trifling compared to what was heaped on judges last spring. Parliament is still very much perceived as the home of crooks, charlatans, and crazies, an institution best dismissed and mocked, and always steadfastly avoided. I can’t imagine Egyptians taking to the streets to rally around their legislators.
Monday, March 05, 2007
The Perils of Succession

What distinguishes Mubarak’s current manoeuvres from both his own earlier tactics and predecessors’ actions is the extraordinary degree of uncertainty surrounding his regime’s future. This does not mean that it will collapse any day now. It means that the regime is on the cusp of a very risky succession. With Hosni Mubarak’s rapidly advancing senility and Gamal Mubarak’s incremental supremacy, the moment of power transfer is imminent and its direction appears clear. But there are so many wild cards and possible eleventh-hour developments at this juncture that the only certainty is that extraordinary uncertainty will accompany the process of succession.
A Risky Proposition

If we adopt the logical though not inevitable scenario that Gamal is the heir apparent, what Mubarak and his newly nuclear son have going for them is the tacit endorsement of foreign patrons, principally the Americans, the self-interested enthusiasm of a circle of crony businessmen, and the co-opted top officials of the sprawling bureaucracy. That leaves organized sectors of the domestic public to be neutralised and/or crushed. As for the preferences and proclivities of the rest of the population, that is a total enigma.
Thus, the official retaliation against university students for organizing free and fair parallel elections; the crackdown on the Ikhwan for making trouble in parliament and generally acting like a real political force; the ostensibly legal throttling of the Karama and Wasat parties; the low-intensity battle against recalcitrant judges waged by the new strongman Minister of Justice, and of course the brazen plan to doctor the 1971 constitution. These strikes are needed not simply because many of these sectors are deeply opposed to a Gamal Mubarak presidency, and not simply because all are campaigning for honest and fair elections, but because the regime feels the need to signal toughness. It fears that its opponents will catch whiffs of its vulnerability during this transitional phase and attempt to use it to their own advantage. Like an ageing neighbourhood bully who lives by the credo of force, Hosni Mubarak’s regime is all about projecting strength.
Signalling toughness is especially critical given the steady stream of crises over the past year. There’s the cascade of transportation disasters starting with the February 2006 al-Salam 98 ferry sinking and the August Qalyoub train collision; the socio-economic fallout from the avian flu outbreak, the spring 2006 pro-judges’ street protests; the remarkable string of labour strikes in 2006 and 2007; bloggers’ and independent newspapers’ broadcasting of citizen torture in police stations; protests over the construction of mobile phone towers, and the recent scandal over collusion between the Health Ministry and a Gamal crony in disseminating contaminated blood bags.
For the most part, these are separate incidents, but their rapid cascade and government agents’ entanglement in each heighten the ambient sense of an embattled regime unable to control society. To make matters worse for the architects of succession, Egyptians have been a very contentious lot for some time now, yelling and screaming and complaining in a most unbecoming manner. They’ve been downright impudent and grabby, wanting rights and dignity and independence and fairness and so forth. And they’ve been organising to get those things. That can’t be allowed to stand.
Crushing the Ikhwan
Embarking on an electoral-hereditary succession means eliminating your most potent electoral rival. Hence the regime’s current crackdown on the Ikhwan. But there’s just one annoying kink: the Brothers are stronger today than at any time during Mubarak’s tenure. This is because of their relative success over the past ten years in building bridges with key actors: voters, nationalist and secular intellectuals and competing political forces, foreign parties, and their own sprawling membership base. Before and after their stunning performance in the 2005 elections, the Ikhwan put considerable effort in a reputation-building project aimed at normalising their position in Egyptian political life and transcending the silly but real constraint of their nominal illegality. They built effective, regularised links to constituents, courted secular rivals and assuaged their fears, and piqued the interest of foreign governments, whose agents began to probe the possibilities of engagement with the officially banned group. Equally important, the Ikhwan in the last few years have been working on their internal organisation. They have tried to re-establish ruptured ties between the leadership and rank-and-file, and worked to manage ideological, generational, and personality conflicts among their top decision-makers.
It doesn’t take a genius to see why this would constitute a nightmare for Hosni Mubarak. The Ikhwan’s capture of 88 seats in the 2005 vote was very inconvenient, causing the shaken regime to postpone municipal elections to avoid a damaging repeat, and to gain some breathing space to cook up the succession scheme. At first, the counter-mobilisation against the Ikhwan was predictable, reinforcing the group’s plucky underdog image and increasing public sympathy. In spring 2006, hundreds of Ikhwan were arrested for months for participating in the pro-judges’ protests (including Essam al-Eryan and Muhammad Mursi). Then, in a repeat of the 2005 vote, the government came out in full force to block the group from participating in the Alexandria Chamber of Commerce elections.
In April, to prevent professors affiliated with the group from holding faculty club elections, Alexandria University administrators locked the campus gates; professors had to convene their general assembly in the open air on the corniche. Meanwhile in parliament, the Ikhwan’s 88 deputies have been complicating the regime’s command and control tasks in this important arena, constantly sparring with Speaker-for-life Fathi Sorour and pressing parliamentary investigation of such inconvenient issues as very high-ranking official malfeasance in the Salam 98 sinking.

The spectre of the group’s 1940s violent wing was craftily invoked, in one fell swoop erasing years of work by the Ikhwan’s members to fend off claims that they’re nourishing militant underground cells ready to strike at the right moment. It was only a logical step for the government to then round up the organisation’s best cadres and send them to a military tribunal that would reliably put them behind bars for at least three years, thus depriving the group of critical skills and assets and fomenting internal dissension and confusion.
Abetting the regime’s offensive was the flustered response of the Ikhwan’s leadership. First they wrote off the martial arts exercise as a harmless skit, then they pooh-poohed it as a silly act by immature students, then they compelled the students to issue an ‘apology’ (thus reinforcing government claims of a militant organisation run by a handful of shadowy decision-makers), then they said they would form an official political party, then they backtracked and denied this. It would be an exaggeration to claim that Hosni Mubarak’s regime has wrought permanent damage to the Ikhwan’s carefully built political reputation. What the regime has done is recoup some of its own reputation for effortless control. This need to project strength is vital when considering the government’s unexpectedly non-violent response to striking workers.
Caressing Labour
The last thing the regime wants is a labour mutiny on its hands when all its energies need to be devoted to engineering succession. So aggrieved labourers need to be neutralised. I don’t think anyone has failed to notice the comparatively ‘soft’ manner in which Mubarak’s regime has handled the series of worker strikes at textile and cement factories and the national railways. This is noteworthy not just because of the contrasting gruffness with which Muslim Brothers and judges have been treated, but because of Mubarak’s past handling of organised labour action: the 1984-1987 wave of worker protest was met with swift police violence, mass arrests, and grave legal reprisals: in 1986, striking train drivers were referred to a High State Security court (it eventually acquitted them).

There’s another important element in this wave of strikes that distinguishes it from past waves and gives the regime pause. Workers are not only demanding fair wages, payment of delayed bonuses, safer working conditions, and more benefits. And they’re not just blaming management anymore. They’re making concrete moves to recall their local union officials by organising massive petition drives for votes of no-confidence, and failing that, they’re threatening to simply withdraw from local union membership. Why does this matter? Because for as long as they’ve existed, the local unions have served as critical levers of state control over labour rather than as mechanisms for the representation of workers’ interests. The present wave of worker strikes is intimately connected to workers’ struggle for real representation.
Last year, workers began their collective action in the run-up to trade union elections to gain some leverage during a vote they knew would be cooked. When, as expected, independent candidates were barred from running and the same old cronies were elected, workers resumed their strike action. Their goal is to overhaul the structures that ostensibly represent their interests but in reality work to monitor their behaviour and abort incipient collective action. This is deeply threatening to the regime: a gathering mutiny against local union officials strikes at the heart of the state’s control and command structure over the critical sector of labour.
Thus, in a manner not seen in other areas of Egyptian politics, high-ranking officials have personally and publicly intervened to negotiate with and cajole striking workers, promising to deliver their unpaid bonuses and incentives in hopes of snuffing out grievances over representation. Everyone from the chairman of ETUF to the Minister of Labour to provincial governors have waded into the midst of the strikers, laden with conciliatory words and promises and a generous smattering of paternalistic discourse, as when Aisha Abdel Hady volunteered the information that Hosni Mubarak cannot sleep at night if he feels there is a single unhappy worker. Madame Abdel Hady has also recently exhibited a strong allergy to the term “civil disobedience.” During a parliamentary discussion of a possible wave of societal disobedience led by striking workers, she firmly averred that “civil disobedience” is not part of the make-up (khameera) of the Egyptian worker.
Containing Judges
Mubarak’s regime knows that we know that it has conceded to worker demands, and that this knowledge might provoke other forces to engage in collective action to gain concessions from a regime that has built its reputation on never negotiating. So it is of critical importance that it apply maximum toughness with the one other sector that can make a credible bid at negotiation: judges. Indeed, one reason why Minister of Justice Mahmoud Abou el-Layl was removed was that he showed too much readiness to negotiate and give and take with judges. His replacement is a perfect embodiment of the credo of non-negotiation.
Mamdouh Marei’s personal style and professional background are all about issuing orders: as a person, he’s brusque and bossy. Professionally, he does not practice collegiality but is condescending and supercilious, qualities he acquired from years at the helm of the judicial internal affairs department in the Ministry of Justice. Let’s not forget that his recent term of service as Chairman of the Presidential Elections Commission (PEC) drove a huge wedge between him and thousands of reformist judges. All in all, he is the perfect candidate for the job of quashing the movement for judicial reform and clean elections.

First, Marei will hitch onto the genuine problem of the abysmal training judges receive to push the idea that judicial supervision of elections should be at the bottom of judges’ priorities. Judges belong on the bench, not in the polling station, goes the technically correct argument. Instead of being drawn into the exhausting minutiae of electoral disputes, judges should focus their energies on professional development and the Ministry will help them do that. Judges who insist on “one judge for every ballot box” will appear to be ignoring their duties and ‘becoming involved in politics.’ The judicial training argument has real potential to divide the clean elections movement because it resonates with a strong current of opinion among judges.
Marei’s second strategy is to erode the mobilising potential of judges’ Clubs, particularly in Cairo and Alexandria. To this end, he has already started installing all sorts of critical judicial support services within courthouses (especially primary courts) so that judges won’t ever need to go to their Clubs for bank services and loans, housing and mobile phone benefits, and a host of other auxiliary services. At the same time, earmarked Ministry of Justice funds to the Clubs are being dried up or cut off altogether, and public utility companies are instructed to cut off or scale back water and electricity service. However, reformist judges are very alert to this strategy and have counteracted Marei’s actions by unanimously voting to raise individual monthly dues to their Clubs from £E2 to £E20.
The third strategy portrays the regime as the progressive, courageous champion of women’s rights valiantly resisting sexist, exclusionary judges who preach democracy and reform but refuse to allow women entry into the judiciary. Women’s accession to the judiciary in Egypt has been a hot button issue among judges for at least 10 years, eliciting very strong feelings, with a minority of ardent supporters and a majority of variously motivated detractors. Marei has already selected 124 women legal officers for qualifying exams and training in the National Center for Judicial Studies in preparation for their admission into the profession. By playing the woman card, the regime burnishes its own reputation, casts doubt on the integrity of its judicial critics, and drives a wedge between pro- and anti-women judges within the judicial reform movement that the regime hopes will block further collective action.
It’s far too early to call Marei’s strategies unequivocal successes or failures. So far, he has managed to bring together the conventionally separate administrative judges with the rest of the judicial corps in unified opposition to his policies and tough guy persona. The cynical bid to appear as the champion of women’s rights is waved off by judges as Marei’s toadying to Suzanne Mubarak’s wishes, and of course Suzanne’s imprimatur is a political kiss of death. Whether the regime will attain its real objective of wresting electoral supervision away from the Judges Club and entrusting it to a pliable central Commission remains an open question.
Savouring the Irony
Would Mubarak’s regime be crushing the Ikhwan, containing judges, and managing labour unrest if it wasn’t embarking on a delicate, very unpopular, and sure to be undemocratic succession? Absolutely. The difference that succession makes is that all of these manoeuvres become matters of political survival rather than garden variety political management. By raising the stakes, the regime unwittingly invites political challenges, unforeseen alliances, unexpected mobilisation, and acts of political adventurism and risk-taking unlikely in normal times; think of Ayman Nour’s gamble for the presidency that catapulted him from a small-time politician to a heroic national figure and international cause célèbre. Even if the succession proceeds smoothly, the post-succession days, weeks, and months promise to be full of turbulence as the heir works to consolidate his rule in the all-important early phases.

*All Photos from AP.
Sunday, January 28, 2007
Bookbag
It’s January, and that means Book Fair time. Here I’ve plucked only three of the most prominent features this year, two worthwhile new novels and a marvellous book lifted straight from the texture of daily life. All of them are wonderful (and quick) reads, easy on the didacticism and heavy on the lived experience of ordinary people.
Sonallah Ibrahim has become that rare novelist whose every new work is eagerly anticipated and turns into a literary event of note. His politics and his courage are only partly to account for this. It’s his knack for innovation and experimentation with new themes, new styles, and new methods for composing a novel that give Ibrahim a vitality rare among his contemporaries. Though all of his novels are written in an extremely shorn, reportorial prose allergic to any embellishment, and everything he writes involves some facet of human alienation from oppressive socio-political structures, his subject matter and methods have varied. That Smell (1966), The Committee (1981), and Zaat (1992) explore individual human alienation under political authoritarianism and capitalism; Star of August (1974) and Warda (2000) are more frankly political novels about concrete political struggles; Honor (1997) and Oases Diary (2005) chronicle the prison experience based on Ibrahim’s incarceration with other Communists from 1959-1964; Beirut Beirut (1984) and Amrikanli (2003) transcribe the rituals of daily life against the backdrop of civil war in Lebanon and late capitalism in America.
Ibrahim’s latest novel, Sneaking (2007), is his most intimate work yet, mining the author’s unconventional childhood to explore the fundamental human emotion of yearning: yearning for maternal love, for lost youth, for the simple creature comforts of domesticity. The novel is essentially a fictionalised account of the author’s childhood; the cover photograph depicts Ibrahim and his father, a very expressive image embodying the close-knit relationship between an ageing father and his growing son. It is this co-dependent, claustrophobic, yet touching relationship that forms the centrepiece of the narrative.
Born in 1937, Ibrahim was the only child from his father’s second marriage to a much younger nurse hired to tend to his ailing first wife. The 16-year-old nurse kept the husband company, read the newspapers, and talked with him about politics. The respectable, high-ranking civil servant fell in love for the first time in his life and married the nurse in secret. When the first wife died and Ibrahim’s father told his grown children of his second household, they became extremely upset and were cold and unwelcoming toward their half-brother, punishing him for his mother’s modest origins. These and more details unfold in the novel. Particularly remarkable is Ibrahim’s vivid reconstruction of his childhood feelings toward his snooty half-sister, a heartbreaking mixture of eagerness for love and acceptance and fascination by her comfortable bourgeois household.
In several ways, Sneaking bears Ibrahim’s trademark imprint: extremely short, clipped sentences that resemble note-taking more than narrative prose; an extraordinarily detailed, clinical rendition of the minutiae of daily life (down to the bedbugs plaguing the nine-year-old child); and a backdrop of momentous events, in this case the 1947-1948 ferment on Egyptian streets against King Farouq, the Zionist control of Palestine, and bickering political party leaders. But in its lyrical tone and familial setting, the novel is quite a departure from Ibrahim’s previous work. Returning to his childhood, the novelist delves into territory he has never mined (until the very recent Oases Diary).
As might be expected, Ibrahim’s take on childhood is original and unsentimental. There’s no nostalgia here, no rose-colored rendition of time and place, no attempt to juxtapose an idealised past against a grim present. Instead, there’s a gripping, child’s-eye view of the world by a child exceptionally attuned to the moods, habits, and silent yearnings of the adults around him. This child glides through life surreptitiously listening in on adult conversations that he’s not supposed to hear, adult behaviour he’s not supposed to see, adult longings he’s not supposed to understand. So listen, peek, and sneak he does. Indeed, the word talassus (sneaking) is peppered throughout the novel like an idée fixe, signalling the young child’s coming-of-age and induction into the adult world. By sneaking about in his own and others’ apartments and peeking from behind locked gates, the child sees and overhears adults napping, copulating, depilating, flirting, bathing, menstruating, cooking, cleaning, and performing other life cycle rituals.
Ibrahim has adopted a hallowed genre but given it a creative twist, writing a very quirky, intimate, offbeat, yet strangely affecting bildungsroman. Unlike the conventional form, however, his bildungsroman is as concerned with old age as it with youth. As the child’s eyes are opened to the wide adult world, the elderly father grows keenly aware of his own mortality and gradual receding from life. Like an old man, he ruefully reflects on his waning faculties and maintains a strict regimen of fussy rituals (including a hilarious scene where he imposes on the child a series of superstitious exercises designed to improve the latter’s performance on exams). One of the most touching scenes in the novel involves a conversation between the father and his randy friend Ali Safa in which Safa shares his obsession with his 16-year-old neighbour girl. The child, pretending to be lost in sleep, listens on in fascination as Safa relates his fantasies and bemoans his lost youth and his father tenderly recounts his love for his second wife and his joy at experiencing the true taste of fatherhood at a late age. While overhearing both men voice their longings, the child is prompted into his own reverie, remembering fragments of his happier past, of both parents joyfully singing together in a warm house filled with the comforting smell of frying food. The moving scene twines the deep desires of both young and old for feminine warmth and companionship, the theme that Ibrahim has identified as the dominant motif of his new novel.
The intensity of their longing is fuelled by the father and son’s cramped life on the father’s limited pension, renting out rooms in their apartment to save money and living together in one squalid, freezing room infested by bedbugs. The mother has disappeared from their life; the narrator hints that she is confined to a mental institution or has died. Both cope with her absence by clinging to and caring for each other while constantly yearning for a soft female presence. During their holiday visits to his uppity half-sister in Heliopolis, the child is fascinated by the cleanliness of her house, the softness and clean smell of her bedding, the tastiness of the food prepared by her cook. Everything around them reminds impoverished father and son of their emotional and material deprivation. Even when they return to their inevitably dark alley and draughty room in Abbasiyya, they encounter signs of others’ domestic comforts, overhearing their lodgers the constable and his young wife in their room laughing and singing along with love songs on the radio, empty plates of home-cooked food piled up on the dining table.
Stylistically, the novel includes several features that distinguish it from the previous Amrikanli’s mere transcription of daily life. The author signals the child’s longing with portions of bold text that describe his daydreams, vivid memories of his mother, and childhood ditties that remind him of happier years when she was present and his father was happy. Juxtaposing these portions from the past with the father and son’s present spartan existence is especially powerful in conveying the boy’s feelings of loneliness and longing. Words and images recur throughout the text to underscore central motifs and lend the novel structural coherence: the repetition of the word talassus; the inevitably dark alleyway to their house; their claustrophobic, fetid room with the hard bed pillows and ratty mattress.
Sneaking begins and ends with the father and son going about their daily rituals: buying their meagre groceries on credit, working together on the boy’s composition homework. The bond between an aged father and his nine-year-old son is the real subject of Sneaking, Sonallah Ibrahim’s most introspective work yet. This is not a novel about the combustible politics of the late 1940s, nor an account of the ravaging effects of capitalism on individual lives. It is a novel about the emotional world of ordinary people living in a particular time and place, pining for the small creature comforts that make life worth living.
“You’ll read it in a day and come back and buy copies for all your friends,” the bookseller said about Khaled al-Khamisy’s Taxi. He’s right about one thing: the book is impossible to put down (my friends will have to buy their own copies). It's a simple yet profound idea gracefully composed and artfully executed. At first, I cringed at the potential for condescension and cliché when collating the stories of Cairo’s cab drivers. The idea is brilliant, the product could be disastrous. I expected pages of patronising, hackneyed “analysis,” or moralising preaching, or superficial fare the sole purpose of which is to showcase the author’s brilliance. But from the first few pages, screenplay writer and political scientist Khaled al-Khamisy makes it perfectly clear that he’s an excellent listener and a faithful transcriber, with a fine ear for the comical, poignant, and tragic in the stories of the taxi drivers. In other words, the author thankfully does us the favour of withholding his judgment and refraining from lecturing as he conveys undoctored conversations brimming with humour, pathos, and startling insight.
The book includes conversations with drivers from April 2005 to March 2006, a year when the author relied almost exclusively on cabs to move around the city. This exposed him to the extremely diverse human pool that now constitutes the capital’s modern coachmen. Anyone who uses taxis and pays any attention knows that there is no such thing anymore as the prototypical taxi driver (if there ever was). High unemployment and underemployment, skyrocketing costs of living, and a 1990s law allowing any aged vehicle to be turned into a taxi have all conspired to dramatically increase the number and diversity of taxis and their drivers (80,000 cabs in Greater Cairo alone, al-Khamisy says). Drivers now run the gamut from white-collar professionals to blue-collar workers to moonlighting civil servants to college students. They’re of varying age groups, from drivers in their late teens who’ve just secured a license to septuagenarians who started driving in the 1940s. A fair portion of drivers have postgraduate degrees, and all have stories to tell.
After a brief, nimble introduction, al-Khamisy proceeds to recount 58 encounters with drivers from all walks of life (including a creepy yet all too believable exchange between a cab driver and the author’s 14-year-old daughter taking a taxi alone for the first time). The stories are textured, atmospheric, and very diverse, ranging from descriptions of the bitter struggle to earn a few pounds driving a taxi in extremely adverse conditions, to drivers’ evocative memories and personal stories (especially touching is the film buff who had not stepped into a movie theatre for 20 years), to social critique and analysis (especially remarkable here are the driver who dissects the hidden function of television commercials, and the driver who has a stunningly insightful analysis of the eclipse of street protest in Egypt since 1977), to drivers’ poignant hopes and aspirations (the driver who daydreams about an African cross-continent trip).
One of the most remarkable, hilarious, and insightful set of stories are those about politics, especially those conversations that deal with Hosni Mubarak and his presidential elections. It is to al-Khamisy’s great credit here that he faithfully transcribes both those opinions for and against the perennial president, and by doing so he makes a subtle point: it is very misguided to generalise about Egyptian public opinion from a few dozen examples, or to treat taxi drivers as somehow “authentic” voices of “the street.” Mercifully, this kind of essentialism and faux-populism or whatever it is is completely absent from the book. For every foreign correspondent and “analyst” who thinks he’s located the “pulse of the Egyptian street” by exchanging a few words with his cab driver, al-Khamisy’s book is a powerful rebuke. Indeed, one of its great virtues is to rescue taxi-driver opinions from over-analysis and rescue taxi-drivers themselves from the burden of representing some hallowed, comforting, but nonexistent “everyman.”
A textured book takes you on a roller coaster of emotions. Reading Taxi makes one teary-eyed with laughter in one chapter and teary with anger in the next. Particularly enraging are taxi drivers’ stories of their harrowing encounters with predatory and corrupt police officers, and the related nightmare of being stopped for hours when Mubarak’s motorcades are passing through. In unforgettably straightforward detail, one driver relates his experience of being stopped for four hours on the Salah Salem road: “That day, I dropped off the taxi to its owner, gave him all I had, and promised to give him the rest the next day. I went home and I swear to you, we all slept without dinner. My wife and kids were waiting for me like every night for dinner, but I came back empty-handed. My wife cried and put the kids to sleep, and I sat by the window listening to Qur’an to calm myself down.”
Lest the reader think al-Khamisy presents a one-dimensional view of taxi drivers as downtrodden, wronged beings, there are also plenty of encounters with drivers who are liars, bigots, crooks, and jerks. There are unscrupulous drivers who spin tall tales to garner sympathy and extract a higher fare; aggressive, preachy drivers who blast religious sermons at maximum volume; and drivers who prey on their weak, poor, and/or female customers. One of the most haunting vignettes in the book is an interaction between the author, a gruff cab driver, and a shoe shiner that still sends shivers down my spine every time I re-read it.
As anyone who makes heavy use of taxis knows, this mode of transportation is often occasion for unusually intimate, unintended, fleeting encounters, encounters that can be intensely regenerative or extremely upsetting. I don’t think it’s a coincidence that al-Khamisy begins and ends his book with two riveting, purgative encounters that carry loads of inexpressible meaning. The book opens with the story of an antique driver who has been driving a taxi since 1948, and ends with an absolutely magical encounter ten minutes before Ramadan iftar that prompts al-Khamisy to pen some of the most beautiful prose I’ve read in a long while: “He left me with the taste of sugar in my throat, and the scent of night musk in my soul, and he made me break my fast unhurriedly for the first time in a long time, contemplating everything around me…”
I can’t come up with a better descriptor for Taxi than Galal Amin’s blurb at the back of the book that “it’s like a refreshing breeze on a hot day.” Yes, the book is about the resilience of the human spirit, it is a powerful chronicle of the Herculean struggle for survival and dignity, it does document increasing social inequalities, and it does faithfully record the pungency and power of everyday speech. It’s an urban sociology, an empathetic ethnography, a collection of valuable oral histories, and a morphology of ordinary people’s language all rolled into one.
But the book is a lot more than the sum of its parts. It tells us much that we already know and edifies us about much that we don’t, and it does more. It plucks startling beauty and poetry out of the cacophony of everyday life. It arranges it for us to contemplate and appreciate, not as a way to elide the injustices and indignities that permeate life, but as a necessary yet all too rare counterpoint. Khaled al-Khamisy reawakens our dulled sense of wonder, outrage, and sorrow, and that is an awesome achievement.
Like his first novel, Alaa al-Aswany’s 450-page second oeuvre is consciously designed to be a page-turner, and therefore it’s extremely readable, briskly-paced, and includes lots of details on sex, friendship, hatred, ambition, defeat, and other well-worn aspects of the human condition. Like ‘Imarat Yacoubian, Chicago is full of plausible, well-drawn characters whose lives intersect in a unifying locale, this time the University of Illinois in the American city of Chicago. The second novel also features the same narrative devices Aswany used in Yacoubian: a blunt denouement and bittersweet ending, an omniscient, sympathetic narrator, and more than a few bits of melodrama packed in at the end. As in Yacoubian, in Chicago Aswany carefully eschews any hint of formal experimentation, linguistic artistry, symbolism and metaphor, or any other literary devices. And perhaps that’s just as well if his laudable aim is to lure the layman to fiction reading and rebuild a novel-reading public (Chicago was first serialized in al-Destour). But Chicago lacks the blunt, resonant social critique that gives Yacoubian its edge and makes it such a phenomenon. In everything else, however, both novels tread the same ground in the same style.
In Chicago, Aswany trains a more analytical eye on his subject matter. The novel begins with a compelling, all-too-brief history of the city, from the massacre of Native Americans by European settlers in the 17th century to the devastating 1871 fire. Appropriately, the novel’s first words are an explanation of the city’s name: “Chicago” is the Algonquin word for “strong smell” that the city’s natives gave to the onion fields that covered its terrain. To signal the motif of human reinvention and survival running throughout the novel, Aswany’s introductory urban history highlights the resilience and recovery of the “Windy City’s” inhabitants after the Great fire, a conflagration that claimed 300 lives, rendered 100,000 people homeless, and destroyed $200 million worth of property. Admiringly, almost proudly, Aswany relishes the speedy, determined recovery of “Chicagoland,” “Second City,” “City of the Big Shoulders,” “City of the Century.” He then delves into his engrossing narrative of Egyptians, Egyptian-Americans, and Americans fumbling for meaning in the giant metropolis, a city the novelist knows well from his days of graduate study there in the late 1980s.
It’s not a coincidence that the novelist begins (and ends) with Shaimaa Muhammady, the very Egyptian name he gives to the very Egyptian, 33-year-old medical student from Tanta studying for her doctorate in histology at the University of Illinois. Shaimaa gets the lion’s share of the narrator’s affection, and perhaps for this reason is one of the most well-crafted characters (though not without some annoying made-for-TV clichés here and there). Like Buthaina al-Sayed of ‘Imarat Yacoubian, Shaimaa is an archetype of the driven, resilient Egyptian woman, a kindly creature struggling to survive in an inhospitable world. Shaimaa, however, is subjected to subtler pressures than Buthaina. The extremely hardworking, plain, muhaggaba medical student goes straight from Tanta to Chicago, mostly to escape social pressures at home in the form of relatives and colleagues who frown upon her academic excellence and unmarried status (Aswany draws a link between the two).
But moving to Chicago is no relief, as Shaimaa experiences harassment and isolation in post-September 11th America. She copes with her crippling homesickness by intensifying her studiousness and reproducing comforting Egyptian rituals at home. An unfortunate but hilarious kitchen accident leads her to meet fellow Egyptian histology student Tareq Hasib, a wiry, surly, equally hardworking graduate student who’s devised his own rituals to cope with loneliness and his awkwardness with women. Their tense first encounter blossoms into romance and intimacy, a potentially maudlin subplot that Aswany uses to effect convincing transformations in both characters. To his credit, the author also uses the unlikely relationship to raise important questions about Egyptian marriage customs, particularly the dynamics of class and status.
As with Yacoubian, Chicago has a large cast of central and peripheral characters crafted with varying levels of depth and psychological insight. Ra’fat Thabet is a handsome Egyptian émigré professor of Histology and baseball enthusiast who has acquired all the trappings of the American dream: American wife Michelle, brand-new Cadillac, large house in a fancy suburb with dog. Thabet deeply disdains all things Egyptian yet can’t shake off some residual cultural traits. His internal contradictions burst to the surface when his only daughter Sarah runs off with a self-styled artist named Jeff and becomes a crack addict. By contrast, Thabet’s departmental colleague Muhammad Salah is gripped by a powerful nostalgia for his native country after a seamless 30-year sojourn in the U.S. He abandons his American wife Chris and retreats into his memories, gingerly establishing contact with his firebrand college sweetheart Zeinab Radwan.
Thabet and Salah’s colleague John Graham is an ageing, wise Hemingway look-alike and former radical from the 1960s who lives with a much younger African-American woman named Carol and her five-year-old son Mark. Dennis Baker is the department’s most senior and distinguished professor, a towering scholar of few words who supervises a third Egyptian graduate student: Ahmed Denana, the head of the Egyptian Student Association in the U.S. A fourth Egyptian student, leftist Nagi Abdel Samad, has a passionate but short-lived relationship with Jewish-American Wendy Schor. The affair ends partly as a result of the interference of Safwat Shaker, the intelligence attaché in the Egyptian embassy who works closely with Denana to monitor Egyptian students studying in the U.S. During his American sojourn, Abdel Samad meets and immediately dislikes John Graham’s friend Karam Doss, a brilliant Coptic heart surgeon who emigrated to Chicago in the 1970s to escape discrimination in Egypt. But Doss rises above the experience in almost angelic fashion; he pipes in Umm Kulthum’s voice in the operating room, and when his bigoted former adviser seeks his help 30 years later, he graciously complies. By the end of the novel, Doss and Abdel Samad’s initial mutual dislike evolves into a close, conspiratorial but not altogether convincing friendship.
As much as he indulges and empathises with nearly all of his characters, Aswany heaps bilious contempt on Denana and Shaker, two agents of the corrupt Mubarak regime. The author seems to relish depicting them as a fraud and predator, respectively. Denana is a failed student who owes his academic standing to his lifelong collaboration with State Security officials; he’s a cheapskate, a liar, and treats his wife Marwa horribly to boot. And Shaker is a womanizing sadist who preys on the poor, broken wives of the Islamist activists that he persecutes and imprisons. To drive home the point, Aswany is keen to portray both men’s base natures by ascribing to them revolting sexual habits.
Aside from a handful of obvious political commentaries, Chicago has few social messages. It eschews preaching and didacticism in favour of a compelling portrayal of contemporary American life, with all its triumphs and failures. The land of opportunity that rescued Doss from discrimination excludes its own citizens, as the subplot involving Carol makes clear. The values of the land of freedom that Thabet praises also frown upon his instinctive protectiveness towards his daughter. And the land of licentiousness routinely condemned by Egyptian conservatives is the setting for a touching romance between Tareq and Shaimaa that would scarcely have been possible in Egypt. Aswany’s narrative also invites subtle connections between characters ostensibly belonging to different worlds and cultures. For example, Denana’s Egyptian wife Marwa and Salah’s American wife Chris have more in common with each other than with their presumptive peers. And as if to pre-emptively counter the reflexive, unthinking charge that Chicago is “anti-American”, two of Aswany’s most honourable, likeable characters are the Americans John Graham and Dennis Baker.
It’s clear that Aswany has ambitions other than the writing of serious literary fiction that nobody reads. His neorealist style avoids The Big Ideas in favour of the small dramas that animate everyday life. His narrative energy spurns highbrow symbolism and complicated structural devices in favour of straightforward, old-fashioned storytelling. In fact, both of Aswany’s novels read very much like screenplays. But so what? If this increases novel readership among the public and returns the novel to the centre of cultural life, bringing on film adaptations, public controversies, and imitation by younger writers, then Aswany will not only have breathed new life into a flagging neorealist genre. He will have created a new genre straddling the stuffy bastions of highbrow art with the cacophony of lowbrow entertainment.
But to avoid slipping into mass-market mediocrity, Aswany will have to start crafting more complex characters. He ought to resist the urge to continue to invent one-dimensional soap opera personages with no compelling inner lives, and instead plumb the rich tradition of afflicted, conflicted characters in the best works of Taha Husayn, Naguib Mahfouz, Tawfiq al-Hakim, and Yussef Idris.

Ibrahim’s latest novel, Sneaking (2007), is his most intimate work yet, mining the author’s unconventional childhood to explore the fundamental human emotion of yearning: yearning for maternal love, for lost youth, for the simple creature comforts of domesticity. The novel is essentially a fictionalised account of the author’s childhood; the cover photograph depicts Ibrahim and his father, a very expressive image embodying the close-knit relationship between an ageing father and his growing son. It is this co-dependent, claustrophobic, yet touching relationship that forms the centrepiece of the narrative.
Born in 1937, Ibrahim was the only child from his father’s second marriage to a much younger nurse hired to tend to his ailing first wife. The 16-year-old nurse kept the husband company, read the newspapers, and talked with him about politics. The respectable, high-ranking civil servant fell in love for the first time in his life and married the nurse in secret. When the first wife died and Ibrahim’s father told his grown children of his second household, they became extremely upset and were cold and unwelcoming toward their half-brother, punishing him for his mother’s modest origins. These and more details unfold in the novel. Particularly remarkable is Ibrahim’s vivid reconstruction of his childhood feelings toward his snooty half-sister, a heartbreaking mixture of eagerness for love and acceptance and fascination by her comfortable bourgeois household.
In several ways, Sneaking bears Ibrahim’s trademark imprint: extremely short, clipped sentences that resemble note-taking more than narrative prose; an extraordinarily detailed, clinical rendition of the minutiae of daily life (down to the bedbugs plaguing the nine-year-old child); and a backdrop of momentous events, in this case the 1947-1948 ferment on Egyptian streets against King Farouq, the Zionist control of Palestine, and bickering political party leaders. But in its lyrical tone and familial setting, the novel is quite a departure from Ibrahim’s previous work. Returning to his childhood, the novelist delves into territory he has never mined (until the very recent Oases Diary).
As might be expected, Ibrahim’s take on childhood is original and unsentimental. There’s no nostalgia here, no rose-colored rendition of time and place, no attempt to juxtapose an idealised past against a grim present. Instead, there’s a gripping, child’s-eye view of the world by a child exceptionally attuned to the moods, habits, and silent yearnings of the adults around him. This child glides through life surreptitiously listening in on adult conversations that he’s not supposed to hear, adult behaviour he’s not supposed to see, adult longings he’s not supposed to understand. So listen, peek, and sneak he does. Indeed, the word talassus (sneaking) is peppered throughout the novel like an idée fixe, signalling the young child’s coming-of-age and induction into the adult world. By sneaking about in his own and others’ apartments and peeking from behind locked gates, the child sees and overhears adults napping, copulating, depilating, flirting, bathing, menstruating, cooking, cleaning, and performing other life cycle rituals.
Ibrahim has adopted a hallowed genre but given it a creative twist, writing a very quirky, intimate, offbeat, yet strangely affecting bildungsroman. Unlike the conventional form, however, his bildungsroman is as concerned with old age as it with youth. As the child’s eyes are opened to the wide adult world, the elderly father grows keenly aware of his own mortality and gradual receding from life. Like an old man, he ruefully reflects on his waning faculties and maintains a strict regimen of fussy rituals (including a hilarious scene where he imposes on the child a series of superstitious exercises designed to improve the latter’s performance on exams). One of the most touching scenes in the novel involves a conversation between the father and his randy friend Ali Safa in which Safa shares his obsession with his 16-year-old neighbour girl. The child, pretending to be lost in sleep, listens on in fascination as Safa relates his fantasies and bemoans his lost youth and his father tenderly recounts his love for his second wife and his joy at experiencing the true taste of fatherhood at a late age. While overhearing both men voice their longings, the child is prompted into his own reverie, remembering fragments of his happier past, of both parents joyfully singing together in a warm house filled with the comforting smell of frying food. The moving scene twines the deep desires of both young and old for feminine warmth and companionship, the theme that Ibrahim has identified as the dominant motif of his new novel.
The intensity of their longing is fuelled by the father and son’s cramped life on the father’s limited pension, renting out rooms in their apartment to save money and living together in one squalid, freezing room infested by bedbugs. The mother has disappeared from their life; the narrator hints that she is confined to a mental institution or has died. Both cope with her absence by clinging to and caring for each other while constantly yearning for a soft female presence. During their holiday visits to his uppity half-sister in Heliopolis, the child is fascinated by the cleanliness of her house, the softness and clean smell of her bedding, the tastiness of the food prepared by her cook. Everything around them reminds impoverished father and son of their emotional and material deprivation. Even when they return to their inevitably dark alley and draughty room in Abbasiyya, they encounter signs of others’ domestic comforts, overhearing their lodgers the constable and his young wife in their room laughing and singing along with love songs on the radio, empty plates of home-cooked food piled up on the dining table.
Stylistically, the novel includes several features that distinguish it from the previous Amrikanli’s mere transcription of daily life. The author signals the child’s longing with portions of bold text that describe his daydreams, vivid memories of his mother, and childhood ditties that remind him of happier years when she was present and his father was happy. Juxtaposing these portions from the past with the father and son’s present spartan existence is especially powerful in conveying the boy’s feelings of loneliness and longing. Words and images recur throughout the text to underscore central motifs and lend the novel structural coherence: the repetition of the word talassus; the inevitably dark alleyway to their house; their claustrophobic, fetid room with the hard bed pillows and ratty mattress.
Sneaking begins and ends with the father and son going about their daily rituals: buying their meagre groceries on credit, working together on the boy’s composition homework. The bond between an aged father and his nine-year-old son is the real subject of Sneaking, Sonallah Ibrahim’s most introspective work yet. This is not a novel about the combustible politics of the late 1940s, nor an account of the ravaging effects of capitalism on individual lives. It is a novel about the emotional world of ordinary people living in a particular time and place, pining for the small creature comforts that make life worth living.

The book includes conversations with drivers from April 2005 to March 2006, a year when the author relied almost exclusively on cabs to move around the city. This exposed him to the extremely diverse human pool that now constitutes the capital’s modern coachmen. Anyone who uses taxis and pays any attention knows that there is no such thing anymore as the prototypical taxi driver (if there ever was). High unemployment and underemployment, skyrocketing costs of living, and a 1990s law allowing any aged vehicle to be turned into a taxi have all conspired to dramatically increase the number and diversity of taxis and their drivers (80,000 cabs in Greater Cairo alone, al-Khamisy says). Drivers now run the gamut from white-collar professionals to blue-collar workers to moonlighting civil servants to college students. They’re of varying age groups, from drivers in their late teens who’ve just secured a license to septuagenarians who started driving in the 1940s. A fair portion of drivers have postgraduate degrees, and all have stories to tell.
After a brief, nimble introduction, al-Khamisy proceeds to recount 58 encounters with drivers from all walks of life (including a creepy yet all too believable exchange between a cab driver and the author’s 14-year-old daughter taking a taxi alone for the first time). The stories are textured, atmospheric, and very diverse, ranging from descriptions of the bitter struggle to earn a few pounds driving a taxi in extremely adverse conditions, to drivers’ evocative memories and personal stories (especially touching is the film buff who had not stepped into a movie theatre for 20 years), to social critique and analysis (especially remarkable here are the driver who dissects the hidden function of television commercials, and the driver who has a stunningly insightful analysis of the eclipse of street protest in Egypt since 1977), to drivers’ poignant hopes and aspirations (the driver who daydreams about an African cross-continent trip).
One of the most remarkable, hilarious, and insightful set of stories are those about politics, especially those conversations that deal with Hosni Mubarak and his presidential elections. It is to al-Khamisy’s great credit here that he faithfully transcribes both those opinions for and against the perennial president, and by doing so he makes a subtle point: it is very misguided to generalise about Egyptian public opinion from a few dozen examples, or to treat taxi drivers as somehow “authentic” voices of “the street.” Mercifully, this kind of essentialism and faux-populism or whatever it is is completely absent from the book. For every foreign correspondent and “analyst” who thinks he’s located the “pulse of the Egyptian street” by exchanging a few words with his cab driver, al-Khamisy’s book is a powerful rebuke. Indeed, one of its great virtues is to rescue taxi-driver opinions from over-analysis and rescue taxi-drivers themselves from the burden of representing some hallowed, comforting, but nonexistent “everyman.”

Lest the reader think al-Khamisy presents a one-dimensional view of taxi drivers as downtrodden, wronged beings, there are also plenty of encounters with drivers who are liars, bigots, crooks, and jerks. There are unscrupulous drivers who spin tall tales to garner sympathy and extract a higher fare; aggressive, preachy drivers who blast religious sermons at maximum volume; and drivers who prey on their weak, poor, and/or female customers. One of the most haunting vignettes in the book is an interaction between the author, a gruff cab driver, and a shoe shiner that still sends shivers down my spine every time I re-read it.
As anyone who makes heavy use of taxis knows, this mode of transportation is often occasion for unusually intimate, unintended, fleeting encounters, encounters that can be intensely regenerative or extremely upsetting. I don’t think it’s a coincidence that al-Khamisy begins and ends his book with two riveting, purgative encounters that carry loads of inexpressible meaning. The book opens with the story of an antique driver who has been driving a taxi since 1948, and ends with an absolutely magical encounter ten minutes before Ramadan iftar that prompts al-Khamisy to pen some of the most beautiful prose I’ve read in a long while: “He left me with the taste of sugar in my throat, and the scent of night musk in my soul, and he made me break my fast unhurriedly for the first time in a long time, contemplating everything around me…”
I can’t come up with a better descriptor for Taxi than Galal Amin’s blurb at the back of the book that “it’s like a refreshing breeze on a hot day.” Yes, the book is about the resilience of the human spirit, it is a powerful chronicle of the Herculean struggle for survival and dignity, it does document increasing social inequalities, and it does faithfully record the pungency and power of everyday speech. It’s an urban sociology, an empathetic ethnography, a collection of valuable oral histories, and a morphology of ordinary people’s language all rolled into one.
But the book is a lot more than the sum of its parts. It tells us much that we already know and edifies us about much that we don’t, and it does more. It plucks startling beauty and poetry out of the cacophony of everyday life. It arranges it for us to contemplate and appreciate, not as a way to elide the injustices and indignities that permeate life, but as a necessary yet all too rare counterpoint. Khaled al-Khamisy reawakens our dulled sense of wonder, outrage, and sorrow, and that is an awesome achievement.

In Chicago, Aswany trains a more analytical eye on his subject matter. The novel begins with a compelling, all-too-brief history of the city, from the massacre of Native Americans by European settlers in the 17th century to the devastating 1871 fire. Appropriately, the novel’s first words are an explanation of the city’s name: “Chicago” is the Algonquin word for “strong smell” that the city’s natives gave to the onion fields that covered its terrain. To signal the motif of human reinvention and survival running throughout the novel, Aswany’s introductory urban history highlights the resilience and recovery of the “Windy City’s” inhabitants after the Great fire, a conflagration that claimed 300 lives, rendered 100,000 people homeless, and destroyed $200 million worth of property. Admiringly, almost proudly, Aswany relishes the speedy, determined recovery of “Chicagoland,” “Second City,” “City of the Big Shoulders,” “City of the Century.” He then delves into his engrossing narrative of Egyptians, Egyptian-Americans, and Americans fumbling for meaning in the giant metropolis, a city the novelist knows well from his days of graduate study there in the late 1980s.
It’s not a coincidence that the novelist begins (and ends) with Shaimaa Muhammady, the very Egyptian name he gives to the very Egyptian, 33-year-old medical student from Tanta studying for her doctorate in histology at the University of Illinois. Shaimaa gets the lion’s share of the narrator’s affection, and perhaps for this reason is one of the most well-crafted characters (though not without some annoying made-for-TV clichés here and there). Like Buthaina al-Sayed of ‘Imarat Yacoubian, Shaimaa is an archetype of the driven, resilient Egyptian woman, a kindly creature struggling to survive in an inhospitable world. Shaimaa, however, is subjected to subtler pressures than Buthaina. The extremely hardworking, plain, muhaggaba medical student goes straight from Tanta to Chicago, mostly to escape social pressures at home in the form of relatives and colleagues who frown upon her academic excellence and unmarried status (Aswany draws a link between the two).
But moving to Chicago is no relief, as Shaimaa experiences harassment and isolation in post-September 11th America. She copes with her crippling homesickness by intensifying her studiousness and reproducing comforting Egyptian rituals at home. An unfortunate but hilarious kitchen accident leads her to meet fellow Egyptian histology student Tareq Hasib, a wiry, surly, equally hardworking graduate student who’s devised his own rituals to cope with loneliness and his awkwardness with women. Their tense first encounter blossoms into romance and intimacy, a potentially maudlin subplot that Aswany uses to effect convincing transformations in both characters. To his credit, the author also uses the unlikely relationship to raise important questions about Egyptian marriage customs, particularly the dynamics of class and status.
As with Yacoubian, Chicago has a large cast of central and peripheral characters crafted with varying levels of depth and psychological insight. Ra’fat Thabet is a handsome Egyptian émigré professor of Histology and baseball enthusiast who has acquired all the trappings of the American dream: American wife Michelle, brand-new Cadillac, large house in a fancy suburb with dog. Thabet deeply disdains all things Egyptian yet can’t shake off some residual cultural traits. His internal contradictions burst to the surface when his only daughter Sarah runs off with a self-styled artist named Jeff and becomes a crack addict. By contrast, Thabet’s departmental colleague Muhammad Salah is gripped by a powerful nostalgia for his native country after a seamless 30-year sojourn in the U.S. He abandons his American wife Chris and retreats into his memories, gingerly establishing contact with his firebrand college sweetheart Zeinab Radwan.
Thabet and Salah’s colleague John Graham is an ageing, wise Hemingway look-alike and former radical from the 1960s who lives with a much younger African-American woman named Carol and her five-year-old son Mark. Dennis Baker is the department’s most senior and distinguished professor, a towering scholar of few words who supervises a third Egyptian graduate student: Ahmed Denana, the head of the Egyptian Student Association in the U.S. A fourth Egyptian student, leftist Nagi Abdel Samad, has a passionate but short-lived relationship with Jewish-American Wendy Schor. The affair ends partly as a result of the interference of Safwat Shaker, the intelligence attaché in the Egyptian embassy who works closely with Denana to monitor Egyptian students studying in the U.S. During his American sojourn, Abdel Samad meets and immediately dislikes John Graham’s friend Karam Doss, a brilliant Coptic heart surgeon who emigrated to Chicago in the 1970s to escape discrimination in Egypt. But Doss rises above the experience in almost angelic fashion; he pipes in Umm Kulthum’s voice in the operating room, and when his bigoted former adviser seeks his help 30 years later, he graciously complies. By the end of the novel, Doss and Abdel Samad’s initial mutual dislike evolves into a close, conspiratorial but not altogether convincing friendship.
As much as he indulges and empathises with nearly all of his characters, Aswany heaps bilious contempt on Denana and Shaker, two agents of the corrupt Mubarak regime. The author seems to relish depicting them as a fraud and predator, respectively. Denana is a failed student who owes his academic standing to his lifelong collaboration with State Security officials; he’s a cheapskate, a liar, and treats his wife Marwa horribly to boot. And Shaker is a womanizing sadist who preys on the poor, broken wives of the Islamist activists that he persecutes and imprisons. To drive home the point, Aswany is keen to portray both men’s base natures by ascribing to them revolting sexual habits.
Aside from a handful of obvious political commentaries, Chicago has few social messages. It eschews preaching and didacticism in favour of a compelling portrayal of contemporary American life, with all its triumphs and failures. The land of opportunity that rescued Doss from discrimination excludes its own citizens, as the subplot involving Carol makes clear. The values of the land of freedom that Thabet praises also frown upon his instinctive protectiveness towards his daughter. And the land of licentiousness routinely condemned by Egyptian conservatives is the setting for a touching romance between Tareq and Shaimaa that would scarcely have been possible in Egypt. Aswany’s narrative also invites subtle connections between characters ostensibly belonging to different worlds and cultures. For example, Denana’s Egyptian wife Marwa and Salah’s American wife Chris have more in common with each other than with their presumptive peers. And as if to pre-emptively counter the reflexive, unthinking charge that Chicago is “anti-American”, two of Aswany’s most honourable, likeable characters are the Americans John Graham and Dennis Baker.
It’s clear that Aswany has ambitions other than the writing of serious literary fiction that nobody reads. His neorealist style avoids The Big Ideas in favour of the small dramas that animate everyday life. His narrative energy spurns highbrow symbolism and complicated structural devices in favour of straightforward, old-fashioned storytelling. In fact, both of Aswany’s novels read very much like screenplays. But so what? If this increases novel readership among the public and returns the novel to the centre of cultural life, bringing on film adaptations, public controversies, and imitation by younger writers, then Aswany will not only have breathed new life into a flagging neorealist genre. He will have created a new genre straddling the stuffy bastions of highbrow art with the cacophony of lowbrow entertainment.
But to avoid slipping into mass-market mediocrity, Aswany will have to start crafting more complex characters. He ought to resist the urge to continue to invent one-dimensional soap opera personages with no compelling inner lives, and instead plumb the rich tradition of afflicted, conflicted characters in the best works of Taha Husayn, Naguib Mahfouz, Tawfiq al-Hakim, and Yussef Idris.
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