Baheyya: Egypt Analysis and Whimsy بهيّة

Commentary on Egyptian Politics and Culture by an Egyptian Citizen with a Room of Her Own


Friday, April 15, 2005


Cairo, February 4, 2005
Posted by Baheyya
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Newer Post Older Post Home

About Me

My photo
Baheyya
Baheyya is a female name that has come to stand in for Egypt. The symbolism is the handiwork of the gifted duo of Shaykh Imam Eissa and Ahmad Fu'ad Nigm in their haunting song, "Masr yamma, ya Baheyya." I make no foolish claims to represent Egypt or all Egyptians. I just like the name.
View my complete profile

I Like to Read

  • 3quarksdaily
  • Azmi Bishara
  • Economic and Political Weekly
  • Hammonda
  • Heba Raouf Ezzat
  • Immanuel Wallerstein
  • Inanities
  • Jadaliyya
  • Jonathan Wright
  • MERIP
  • Nisralnasr
  • Rami Khouri
  • Shorouk
  • Tareq al-Bishri
  • The Arabist
  • The Caravan

Subscribe To

Posts
Atom
Posts
Comments
Atom
Comments

Search This Blog

Blog Archive

  • ►  2016 (2)
    • ►  June (1)
    • ►  January (1)
  • ►  2015 (2)
    • ►  June (1)
    • ►  February (1)
  • ►  2014 (4)
    • ►  August (1)
    • ►  July (1)
    • ►  May (1)
    • ►  January (1)
  • ►  2013 (6)
    • ►  August (1)
    • ►  July (5)
  • ►  2012 (7)
    • ►  December (2)
    • ►  June (1)
    • ►  May (3)
    • ►  March (1)
  • ►  2011 (9)
    • ►  March (1)
    • ►  February (5)
    • ►  January (3)
  • ►  2010 (7)
    • ►  December (1)
    • ►  October (1)
    • ►  August (2)
    • ►  July (2)
    • ►  February (1)
  • ►  2009 (7)
    • ►  October (1)
    • ►  August (1)
    • ►  July (1)
    • ►  June (2)
    • ►  April (1)
    • ►  January (1)
  • ►  2008 (10)
    • ►  October (1)
    • ►  September (1)
    • ►  August (1)
    • ►  July (2)
    • ►  May (2)
    • ►  April (1)
    • ►  March (1)
    • ►  January (1)
  • ►  2007 (13)
    • ►  December (1)
    • ►  September (1)
    • ►  August (3)
    • ►  July (3)
    • ►  June (1)
    • ►  March (2)
    • ►  January (2)
  • ►  2006 (31)
    • ►  December (1)
    • ►  November (1)
    • ►  October (4)
    • ►  September (2)
    • ►  August (2)
    • ►  July (3)
    • ►  June (2)
    • ►  May (5)
    • ►  April (3)
    • ►  March (4)
    • ►  February (3)
    • ►  January (1)
  • ▼  2005 (119)
    • ►  December (5)
    • ►  November (3)
    • ►  October (3)
    • ►  September (5)
    • ►  August (10)
    • ►  July (18)
    • ►  June (17)
    • ►  May (17)
    • ▼  April (20)
      • Kifaya: Asking the Right Questions
      • A Family Affair
      • Mahmoud Said's "Etude for the Amazing Catch" (1933)
      • The Sadly Declining Art of Bootlicking
      • Fazoora
      • Enigma
      • The Restless Mind
      • Recognition
      • The Art of Saying Nothing
      • Ephemera
      • The Egyptian Professoriate: Enough
      • Cairo, Midan al-Qal'a
      • Kifaya reductionism, Kifaya gossip, Kifaya misrepr...
      • Cairo, February 4, 2005
      • Empowering Women, Anywhere but the U.S.
      • Of Protest and Prevarication
      • Mahmoud Said's "Nile at Sunset in Luxor" (1944)
      • Springtime of the Egyptian People, 2005
      • Mahmoud Said's "Mevlevi Dervishes" (1929)
      • Whither Egypt?
    • ►  March (21)
© Baheyya 2005-2014. Simple theme. Theme images by gaffera. Powered by Blogger.